A world-renowned work from Vincent van Gogh has been given a new digital life within a next-generation volumetric 4K hologram device.

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December 20, 2022

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by Vincent Van Gogh
x Holoverse

The Holoverse and MakersPlace are thrilled to present Vincent van Gogh's Sunflowers, one of only two Hologram NFTs (or "HNFTs") in existence, and the only one currently available for purchase. 

Sunflowers was created using a proprietary process developed by The Holoverse to generate a high-resolution, 360-degree visual rendering of Van Gogh's original painting, which was then minted as an NFT. 

The rendering was installed on a 4K volumetric hologram device — custom designed, manufactured, and assembled by The Holoverse — to represent the masterpiece in physical form. While the hologram itself is a true 1:1 scale of the original artwork, the HNFT device measures nearly 7' tall by 3' wide when installed with its included pedestal, and will be shipped, delivered, and activated with white-glove service, free of charge. 

A half-billion-pixel image of the original canvas, also included in the sale, lets the viewer zoom in to experience the work in more detail than the naked eye can see on any device capable of displaying .TIFF filetypes. Sunflowers has hung in the Vincent van Gogh Museum in Amsterdam since 1994 and is unlikely to be available for purchase in our lifetime.

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About the Holoverse

The artist known as The Holoverse comes from Laserman Industries, a live performance technology group that has extended its holographic capabilities to engage the art world in new digital experiences and possibilities.

Their genesis NFT + HNFT of Leonardo da Vinci’s La Bella Principessa sold for over $100,000.00 in April of 2021 on MakersPlace.

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A 2.09-gigabyte half a billion pixel image of the original canvas

A unique, high-resolution 360 degree video visual NFT


A next-generation physical volumetric Hologram (HNFT) in 4K resolution


Vincent van Gogh’s

Van Gogh’s paintings of Sunflowers are among his most famous. He painted a total of eleven of these canvases, although the most commonly referred to are the seven he painted while in Arles in 1888– 1889. The other five he had painted previously while in Paris in 1887.

Many elements repeat in this series, and often only minor differences separate them and the composition typically carries over from painting to painting. 

The Sunflowers are a signature that Van Gogh made his own. Indeed, no Van Gogh retrospective since 1901 has voluntarily neglected to include at least one Sunflower painting. 

“Among other things this summer, two flower-pieces with nothing but Sunflowers in a yellow earthenware pot. Painted with the three chrome yellows, yellow ochre, and Veronese green and nothing else.” — Vincent van Gogh, in a letter to his brother Theo

Van Gogh never articulated the root of his sunflower passion, but in a letter to his sister talking about his friend Gauguin coming to stay in his yellow house in Arles, Van Gogh stated his intention to decorate the whole studio with nothing but sunflowers. In another letter to his brother Theo, Van Gogh valiantly declared, “the sunflower is mine.”

He hung the two above-mentioned “studies” in the room Gauguin took in the Yellow House. Gauguin was impressed and thought the pieces were “completely Vincent.” Gauguin even helped to cement this legacy in his Arles painting, “The Painter of Sunflowers.”

The Painter of Sunflowers, 1888 by Paul Gauguin

Van Gogh had already painted a new version during his friend’s stay, and Gauguin later asked for one as a gift, which Vincent was reluctant to give him. He later produced two loose copies — the tenth and eleventh Sunflower paintings. The tenth currently resides in the Van Gogh Museum and is the version that will be auctioned here. 

This specific Van Gogh has a very short provenance listing as the original work passed from Vincent into the hands of his wife Jo, who later was assisted by their son Vincent Willem in arranging an ownership transfer to the Vincent van Gogh Foundation. The Foundation initially loaned the work to the Rijksmuseum until transferring it to the Vincent van Gogh museum in 1994. 

The painting still hangs in that museum in Amsterdam today.